易開罐系列｜Can Series

此系列取材於日常生活中被遺棄的物件——壓扁的鋁罐、包裝與消費後留下的痕跡。這些原本功能性的物件，在擠壓、變形與堆疊之中，轉化為一種高度密集的視覺場域。這些看似無用的殘留，並不只是關於廢棄。

每一個易開罐，都承載著使用、壓力與時間的痕跡，從被消耗的物件，轉變為人類存在的記錄。在反覆與累積之中，個體逐漸失去原有的辨識，融入一種集體性的結構之中。秩序與混亂交錯，表面既具體又心理，帶有壓迫感，同時又隱隱吸引觀看。

相較於池塘系列中流動而開放的空間，這個系列更指向一種被壓縮的現實——一種由消費、擠壓與當代生活重量所構成的狀態。然而，在這樣的密度之中，仍有某種微弱的生成。

在擠壓與碎裂之間，某些事物悄然浮現，暗示著限制之中，依然存在著突破與釋放的可能。

This series emerges from everyday remnants——crushed aluminum cans, discarded packaging, and the traces of consumption. These objects, once part of ordinary life, are compressed, distorted, and reassembled into dense visual fields.What appears as debris is not merely about waste.

Each can carries the imprint of use, pressure, and time——transformed from a functional object into a record of human presence.Through repetition and accumulation, these fragments begin to lose their original identity. They merge into a collective structure, where individuality dissolves into mass, and order shifts into tension. The surface becomes both physical and psychological——at once tactile, oppressive, and strangely mesmerizing.

In contrast to the fluid and open space of the Pond Series, this body of work confronts a more condensed reality——one shaped by consumption, compression, and the weight of contemporary life.Yet within this density, there is also a subtle emergence.

Between layers of pressure and fragmentation, something begins to surface——suggesting not only constraint, but also the possibility of release.

在壓縮與堆疊之中，呈現當代存在的重量與痕跡。

Through compression and accumulation,

the weight and traces of contemporary existence unfold.